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Dynamic Range Day - Loudness War Protest

Production Advice

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Using my Perception plugin with Magic AB by SampleMagic

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One of the most common questions people ask me about my Perception plugin is “can I use it with SampleMagic’s Magic AB ?”

The short answer is Yes, in fact using Magic AB a great way to enhance what’s already possible with Perception, if you like to work with reference tracks – or to add extra functionality to Magic AB, which doesn’t have Perception’s loudness-matching capabilities.

This video shows you how I like to use Magic AB with Perception for even more power and flexibility when you’re mastering, to help you find the loudness ‘sweet spot’ for your music, and avoid the ‘loudness deception’.

It also answers two other common questions along the way – “are Perception and Magic AB the same ?” (No) and “if I have one, do I need the other ?” (It depends !)

I hope you find it useful, and I strongly recommend you give Magic AB a try – even if you aren’t a Perception user !

Win a copy of my award-winning Perception Plugin !

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audiomedia eShotI’m delighted to announce that my Perception plugin has won one of the coveted Gear Of The Year awards from Audio Media magazine – and has been nominated for the 2015 Sound On Sound Awards !

To celebrate, we’re giving away ten free copies of Perception, so you have a chance to find out what the fuss is all about.

Entering is easy – just use the widget below. You can enter more than once for more chances to win, and earn even more by referring a friend. And, if you’re an existing user and would like to enter, we’ll refund your original purchase price if you win.

Good luck !

Discover the dangerous, destructive, delicate delights of distortion

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I love distortion.

I’ve said it before, and I’ll say it again.

Now that might surprise you, coming from the founder of Dynamic Range Day, but it’s true. Some of my favourite songs simply wouldn’t exist without it – like the sublime example in the video above, for example !

Distortion has been an integral part of the sound of recorded popular music since the very beginning, and it always will be.

And I love it.

So how can this be true ?

How can someone who bitches almost daily about the squashed-flat, distorted sounds of most modern releases, someone who has developed a plugin specifically to make sure people can hear exactly how much damage the Loudness War Sound is doing to their music – how can I claim to love distortion ?

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Did they REALLY just auto-tune Aretha ? SERIOUSLY ?

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OK, before we start, I need to get something straight.

Aretha Franklin is a legend, one of the greatest singers of all time, and if she chooses to sing through a kazoo whilst breathing helium, that’s fine with me.

Seriously, you just don’t argue with talent like that.

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LANDR: Automated online mastering – but is it any good ? My test

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I’ve had so many people asking me what I thought of the new LANDR automated online mastering service, that I decided I just had to check it out !

LANDR offers “Professional Audio Mastering”, saying you can “Sound like a pro. Instant results at a fraction of the cost of studio mastering.”

But is it any good ?

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Ian Shepherd


BBC Radio 4 Interview

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Ian Shepherd from Production Advice discusses the Loudness Wars

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