Win a place on the Home Mastering Masterclass !

The Home Mastering Masterclass starts today – and to celebrate the fact that over 1000 people have now taken the course, I’m giving away five free places.

Entering is easy, and you can even try if you’ve already signed up – if you win, I’ll refund you.

[Read more…]

Loudness online – how loud is loud enough, and how loud is too loud ?

online loudness comparison tweak
Click the image above for higher resolution

We know now that all the major music streaming services are using loudness normalisation – meaning every song is played at a similar level, aiming for a “target” loudness, which is different for every service.

Loud songs are turned down, quiet songs are turned up – IF there’s enough peak headroom.

And because the target level for some platforms is pretty loud, that’s a very significant “IF”.

Because when there isn’t enough headroom to lift the level up without clipping, your music either won’t get turned up and will sound quieter than everything else as a result, or it may have extra peak limiting applied to get it up to the target level. Which may or may not sound good.

Neither of these is an ideal situation !


How loud is loud enough, and how loud is too loud ?

The answer is… it depends.

[Read more…]

A $300 home studio? REALLY ?

I didn’t expect my last post to get me in trouble.

But it did.

It seemed simple enough – I was just letting you know that Graham from the Recording Revolution website had been interviewed on Pensado’s Place.

I included a brief intro to Graham, for people who didn’t already know him, and I mentioned that he recently set himself a challenge – to record a song using a home studio setup costing only $300. And that’s where the trouble started.

Because it turns out, some people don’t like that idea !

They don’t believe that you can get great results using affordable gear, and they think Graham is deliberately misleading people by saying so. Telling them what they want to hear, rather than being realistic and honest.

So, what’s my opinion?

It’s a nice idea, sure, and Graham’s mix sounded pretty good – but can you really get good sound in a home studio costing only 300 dollars, especially when you put it under the microscope for mastering ? REALLY ?

I decided to find out. Watch the video above to hear the results for yourself, and let me know what you think in the comments…

Stereo width in mastering – how to measure, monitor and modify it

People are always asking me about stereo width, image depth and “three dimensionality” in audio – and whether you can influence them at the mastering stage.

The answer is Yes – although it’s almost always better to get it right in the mix, just as with almost everything else !

That isn’t always possible though, and the truth is you really can get a surprising amount of control over these aspects of a master, even though you’re typically only ever working with a stereo file at the mastering stage. In this video I show you:

  • How to measure the stereo width of your mix, in a simple, affordable way
  • What it sounds like when there is too much (or too little) stereo width in your audio
  • Why you should never use the “polarity flip” trick to try and get more width in your mix
  • Another two much more powerful & sophisticated ways to analyse the stereo image and phase content of your master, using the excellent Nugen Visualizer plugin
  • A simple, effective way to take detailed control of the phase coherence of your audio – and when you shouldn’t use it

Take a look, and let me know what you think in the comments !

FACEPALM: “It sounds great! Now can you make it louder ?” – My simple four-step solution

louder facepalm


It’s the question we all dread.

You finished the master, everyone is really happy, and then they hit you with it:

Can you just make it a bit louder ?

Because even though we know that loudness is pointless, even though we know that if you want to sound louder on YouTube, or Apple Music or Spotify or anywhere, the answer is to master with balanced dynamics – no-one else believes it yet.

The artists don’t believe it

The labels don’t believe it

The producers don’t believe it

The A&R people don’t believe it

And plenty of mastering engineers still don’t believe it, either !

Even though we know that:

No-one believes us.

They’ve bought into the myth, they’re feeling the FUD.

Don’t Panic

Luckily, they don’t have to believe us, because now we can show them. Quickly, and easily.

This strategy is free, non-techy and simple to implement.

Here it is: [Read more…]