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	<title>Production Advice &#187; Mixing</title>
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	<link>http://productionadvice.co.uk</link>
	<description>unlock the potential of your music</description>
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		<title>Put some real space in your mix</title>
		<link>http://productionadvice.co.uk/real-space/</link>
		<comments>http://productionadvice.co.uk/real-space/#comments</comments>
		<pubDate>Fri, 18 Jun 2010 23:18:06 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Blog Posts]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Non-tech]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[acoustics]]></category>
		<category><![CDATA[Mix]]></category>
		<category><![CDATA[production strategies]]></category>
		<category><![CDATA[reverb]]></category>
		<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=2283</guid>
		<description><![CDATA[
			
				
			
		

 
 
I have so much work to do at the moment I really shouldn&#8217;t be blogging, but this is just too good not to share.
The video above is number four in a sequence of song-writing tutorials posted by the awesome Artist&#8217;s House Music &#8211; if you aren&#8217;t already subscribed to their feed and Twitter [...]]]></description>
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		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>What is Mastering ?</title>
		<link>http://productionadvice.co.uk/mastering-as-photoshop/</link>
		<comments>http://productionadvice.co.uk/mastering-as-photoshop/#comments</comments>
		<pubDate>Wed, 05 May 2010 01:23:11 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Blog Posts]]></category>
		<category><![CDATA[Mastering]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Non-tech]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[dynamic range]]></category>
		<category><![CDATA[expertise]]></category>
		<category><![CDATA[loudness]]></category>
		<category><![CDATA[Mix]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=2214</guid>
		<description><![CDATA[
			
				
			
		

 
 
There are plenty of moments to enjoy in this video with veteran mastering engineer Howie Weinberg &#8211; not least, proof that mastering engineers really do have a sense of humour !
I want to pick up on just one thing he says almost in passing though, and amplify it. People are always asking &#8220;What is [...]]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Recording and mixing &#8216;Bohemian Rhapsody&#8217;</title>
		<link>http://productionadvice.co.uk/bohemian-rhapsody/</link>
		<comments>http://productionadvice.co.uk/bohemian-rhapsody/#comments</comments>
		<pubDate>Mon, 26 Apr 2010 23:43:37 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Blog Posts]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[classic]]></category>
		<category><![CDATA[engineer]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[masterclass]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=2215</guid>
		<description><![CDATA[
			
				
			
		

 
 
Welcome back my friends, to the show that never ends, We&#8217;re so glad you could attend, come inside, come inside&#8230;
I know, it&#8217;s been ages.
And, the way things are looking at the moment, it&#8217;s going to stay slow for a while longer yet&#8230;
So, stay tuned to the RSS feed for future updates, including a [...]]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>How to make your music loud</title>
		<link>http://productionadvice.co.uk/how-to-make-your-music-loud/</link>
		<comments>http://productionadvice.co.uk/how-to-make-your-music-loud/#comments</comments>
		<pubDate>Tue, 16 Feb 2010 01:58:42 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Blog Posts]]></category>
		<category><![CDATA[Mastering]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[dynamic range]]></category>
		<category><![CDATA[expertise]]></category>
		<category><![CDATA[loudness]]></category>
		<category><![CDATA[loudness war]]></category>
		<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=2000</guid>
		<description><![CDATA[ow to master a song loud - without compromising on quality. Techniques and tips for achieving competitive mastering levels, without damaging your music]]></description>
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		<slash:comments>12</slash:comments>
		</item>
		<item>
		<title>What are the best headphones for mixing ?</title>
		<link>http://productionadvice.co.uk/headphones-mixing/</link>
		<comments>http://productionadvice.co.uk/headphones-mixing/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 23:30:38 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Blog Posts]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Non-tech]]></category>
		<category><![CDATA[gear]]></category>
		<category><![CDATA[it ain't what you use it's the way that you use it]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=1854</guid>
		<description><![CDATA[
			
				
			
		

 
 
This is a question I get asked a lot. But before I answer, the disclaimer:
Personally, I&#8217;m not happy mixing on headphones. 
Of course I use them all the time, for an alternative perspective my monitors, and for listening in very fine detail for clicks, distortion etc. But for real judgements, speakers are the [...]]]></description>
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		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>My Top Mixing Tip &#8211; No effort required !</title>
		<link>http://productionadvice.co.uk/my-top-mixing-tip/</link>
		<comments>http://productionadvice.co.uk/my-top-mixing-tip/#comments</comments>
		<pubDate>Thu, 10 Dec 2009 00:48:59 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Blog Posts]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[production advice]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=1845</guid>
		<description><![CDATA[This is the single most important suggestion I can give to anyone who wants to improve their recording and mixing skills. And it's free, easy and requires no work. Too good to be true ? Read on to find out]]></description>
		<wfw:commentRss>http://productionadvice.co.uk/my-top-mixing-tip/feed/</wfw:commentRss>
		<slash:comments>6</slash:comments>
		</item>
		<item>
		<title>Get a Free TC Electronic Reverb Plugin</title>
		<link>http://productionadvice.co.uk/free-tc-reverb/</link>
		<comments>http://productionadvice.co.uk/free-tc-reverb/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 22:20:48 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Blog Posts]]></category>
		<category><![CDATA[Mixing]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=1754</guid>
		<description><![CDATA[
			
				
			
		
I&#8217;ve written before about the importance of using reverb to get a great mix.
But with so many different makes and varieties of reverb around, especially plugins, the question is &#8211; which one do you use ?
Well for what it&#8217;s worth, TC Electronic make my favourite reverbs &#8211; particularly the ones included with their flagship System [...]]]></description>
		<wfw:commentRss>http://productionadvice.co.uk/free-tc-reverb/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Jargon-busting: Tracking, Mixing and Mastering</title>
		<link>http://productionadvice.co.uk/tracking-mixing-mastering/</link>
		<comments>http://productionadvice.co.uk/tracking-mixing-mastering/#comments</comments>
		<pubDate>Wed, 11 Nov 2009 00:30:48 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Blog Posts]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Non-tech]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[jargon]]></category>
		<category><![CDATA[Mix]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=1671</guid>
		<description><![CDATA[
			
				
			
		

 
Tracking
Tracking is essentially the process of recording songs. The name comes from the fact that each instrument is recorded individually and given it&#8217;s own &#8220;track&#8221; in the mix, so that the balance and sound of each can be  controlled later. Originally, &#8220;track&#8221; referred to a thin width of analogue tape, today it usually means [...]]]></description>
		<wfw:commentRss>http://productionadvice.co.uk/tracking-mixing-mastering/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>7 crucial EQ bands to help balance your mix</title>
		<link>http://productionadvice.co.uk/using-eq/</link>
		<comments>http://productionadvice.co.uk/using-eq/#comments</comments>
		<pubDate>Fri, 11 Sep 2009 23:32:18 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Blog Posts]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[eq]]></category>
		<category><![CDATA[eq band]]></category>
		<category><![CDATA[Mix]]></category>
		<category><![CDATA[Techniques]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=1331</guid>
		<description><![CDATA[How to use EQ to balance your mix. Learn to add warmth, body, punch and sparkle to a song. With examples of each useful audio EQ band and how it sounds]]></description>
		<wfw:commentRss>http://productionadvice.co.uk/using-eq/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Pink Floyd &#8211; &#8216;Dark Side Of The Moon&#8217; in the recording studio</title>
		<link>http://productionadvice.co.uk/pink-floyd-in-recording-studio/</link>
		<comments>http://productionadvice.co.uk/pink-floyd-in-recording-studio/#comments</comments>
		<pubDate>Thu, 20 Aug 2009 22:15:16 +0000</pubDate>
		<dc:creator>Ian Shepherd</dc:creator>
				<category><![CDATA[Commentary]]></category>
		<category><![CDATA[Mixing]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[classic]]></category>
		<category><![CDATA[collaboration]]></category>
		<category><![CDATA[inspiration]]></category>
		<category><![CDATA[it ain't what you use it's the way that you use it]]></category>
		<category><![CDATA[musician]]></category>
		<category><![CDATA[producer]]></category>
		<category><![CDATA[production advice]]></category>
		<category><![CDATA[songwriting]]></category>

		<guid isPermaLink="false">http://productionadvice.co.uk/?p=1161</guid>
		<description><![CDATA[
			
				
			
		

 
Taken from the fantastic DVD &#8220;Classic Albums: The Making of The Dark Side of the Moon&#8220;, this clip has loads of great things for audio geeks like me to enjoy, including (probably) the first time a band ever played to a tape loop (and how the loop was made), another great example of double-tracking (this [...]]]></description>
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		<slash:comments>1</slash:comments>
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