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Day 4 – Plan your recording process [11elevenproject]

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Day 4 of 11eleven easy ways to improve the sound of your music

If you’ve followed the first three tips in this series, with any luck your recorded sound and mixes will already be starting to sound better.

And if you’re like me, you love recording and will be fired up and ready to make a start.

Hang on, though.

Before we get ahead of ouselves, let’s tackle a seriously powerful studio technique – but one that is far less talked about than the more popular topics – planning.

Wait – stay with me !

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Day 3 – Treat your room nice [11elevenproject]

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Day 3 of 11eleven easy ways to improve the sound of your music

Yesterday I suggested moving your mic to improve the sound of your recordings, and one of the points I made was that reflected sound from the room can have a big influence on how things sound.

Now if you have a great-sounding room, that can be a good thing – and personally I like the character that real space adds to a mix. But lots of rooms don’t sound great, especially if they’re on the small side, so today’s tip is about controlling the sound of your recording source using acoustic treatment.

If you have time, that can mean building your own acoustic panels, or if you have money maybe buying some – or a dedicated “refection filter” but most of us don’t have time or money !

So here are three inexpensive ways to begin to take control of the sound of your room:

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‘Propeller Seeds’ by Imogen Heap – The first ever 3D immersive song ?

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“Propeller Seeds”, by Imogen Heap, formerly known only as “heapsong2“, has been released – on the same day as the last ever shuttle launch, and like it, a little late – but such a success that no-one minds !

The song is superb, the video is beautiful, as you can see (despite having me in it) and I’ve already written in a previous post about the unique way that Imogen is involving her fans in the writing of the new album. Now that the song and video are released though, I thought I’d quickly explain a few of the reasons I love it so much.

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Foo Fighters – Recording and Mixing ‘Wasting Light’

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A while ago I posted a video where Dave Grohl discussed Foo Fighters decision to record “Wasting Light” in their garage. They also chose not to use computers at all during the recording or mixing process.

Here are some quotes that stood out to me from a great new article on eMusician.com talking about the process and the consequences of that decision:

“If you only have cheap mics and pres on hand, it doesn’t mean you can’t get good sounds,”

“The main rule of thumb is, if it sounds good in the room, there’s a good chance it will sound good recorded.”

“Something happens to the tape, oh well, you have to play it again. God forbid you have to play your song one more time.”

“If you zoom in with Pro Tools and put everything exactly on that microscopic downbeat it’s so perfect that it loses a thickness. If everything is off just a little bit the music just gets wider and thicker.”

“We mixed manually on the API board, with me, James, Alan Moulder and Dave, all eight hands on board, all doing the faders, no automation; we couldn’t even do mutes. So every mix was a performance.”

“You have to be patient and get focused. Sometimes, with the Foos, they rehearsed a lot… You need a band that can play great, and is willing to do that. It’s so easy to manipulate stuff with computers. I don’t know if I will do this in the future. They have to be as good as the Foo Fighters, and play that well.”

(To read the full article, click here.)

That last quote is one of the most interesting, I think. Does it mean no-one should record in this “old-school” way unless they too are as good as the Foo Fighters ?

Regardless of the process they used, the end result of the sound of “Wasting Light” still sounds very slick and clean, to me. I’m not sure I’d have guessed it was recorded 100% analogue in a garage if they hadn’t told us. How about you ?

The Best Of Production Advice

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Recording & Mixing

10 Techniques For Achieving Outstanding Music Mixes

Using compression to add punch, warmth and power to your mix

7 crucial EQ bands to help balance your mix

Ten Top Tips for Reverb You Can Really Relish

Do you make these music recording mistakes ?

Mastering

I’ve put all these posts in one place:

How to master your own music

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I’ve also put together a free 7-part “Quickstart” course on mastering with plugins – for more information, click here:

Mastering plugins – a free quickstart course

For regular updates (and a free interview about DIY mastering) feel free to sign up to the Production Advice Newsletter – just enter your email in the box below, or for more information click here.

(Image by Robert Parviainen)

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