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Dynamic Range Day - Loudness War Protest

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My Top Mixing Tip – No effort required !

 

This post was inspired by a great question asked by @joegilder over at Home Studio Corner – I started typing my reply in the comments there and liked it so much I thought I’d make a blog post out of it !

Anyway, here’s my suggestion for “My Top Mixing Tip”:

Learn what your studio monitoring sounds like.

How often have you got a mix sounding great, you take it and play it on your hi-fi, or in the car or wherever, and all kinds of problems immediately leap out at you ? That’s because you’ve subconsciously learned over the years what things “should” sound like on those everyday systems, just by listening to music you like, the radio etc. We know them so well, we make instant, reliable judgements on them.

Whereas most of us don’t spend nearly as much time just listening to music on our studio monitoring. 

So that’s my suggestion – listen to your studio, and learn how it sounds. Whenever you’re not actually listening to your own mixes, plug in your iPod, put on shuffle and have it on in the background.

You don’t have to listen carefully, or sit in the sweet spot or anything – your brain will add all those factors up for you while you’re doing other stuff – installing gear, backing up files, surfing or whatever.

That’s it ! Over time you will subconsciously learn all kinds of stuff about the way your studio sounds, and this will filter through into better results from your mixing – all without trying.

My only word of caution would be to avoid listening to too many “hyper-compressed” Loudness War casualties – these will train tempt to overdo the compression and limiting, which would be a Bad Thing.

(If you don’t know which tracks are over-compressed, check them with the TT Dynamic Range meter plugin – anything that consistently shows less than DR8 is probably too squashed.)

Oh, and you could also read this post :-p

10 Rules For Achieving Outstanding Music Mixes

Head on over to HSC and add your favourite mixing tip !

 

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6 Responses

  1. Joe Gilder says:

    Great article, Ian! You’re completely right, I don’t listen to my studio monitors NEARLY as much as I do earbuds or a car stereo. Now if only I could find a way to install my monitors in my car… :)

  2. Marko says:

    Ian, that’s one of those tips that makes you go, “Duh, why didn’t I think of that?!?”

    Makes total sense to me – subconscious analysis and assimilation of great sounding music on one’s own set-up.

    Thanks for the brilliant tip. Gotta go and hook up my music system to my home studio monitors now. :-)

  3. Ian Shepherd says:

    Thanks chaps !

    Yeah, it’s something that full-time engineers take for granted – an intimate knowledge of the monitors and the room is a big part of getting a great mix – because no matter what anyone tells you, NO room is perfect.

    But unless you work somewhere 24/7, getting that knowledge can be a long and painful process. This is something of a short-cut :-)

  4. guitar speed says:

    You know that’s true. I feel like a big spotlight was thrown on me, because I’m totally that guy who gets so proud over a piece and then goes to play it on different systems and gets bombarded with issues.

    I guess pros have an advantage because they are observing music through their monitors all the time and are accustomed to it. This really is a nice tip – thank you.

  5. Ian Shepherd says:

    Trust me, it happens to all of us :-) Glad you liked the post !

  6. Sean says:

    Great tip. Also, don’t listen to web radio, or anything else that is heavily limited at the source.

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