This post will tell you everything you need to know about mixing.
OK, not really. If that was possible there would be no need for this site ! In fact, it won’t even scratch the surface of everything there is to say about music and audio mixing – but it willtell you ten fundamental rules that – if you follow them – will enable you to make your mixes sound better and achieve the best possible results from your music and audio productions, every time.
But before I get to the rules, I want to point out a few things that DON’T matter. At least, no-where near as much as the things on the list. These things which are NOT important to achieving a great mix are:
I have always planned to write a Production Advice post about how to achieve clean, powerful, natural-sounding bass in your mix.
This is not that post.
This is a post to give you ideas on how to achieve monstrous, un-natural, trouser-wobbling bass like the band Pendulum – bass that goes against nature and puts you in fear of your life, bass that endangers the structural stability of your home and gently eases the fillings from your teeth.(*)
(*) Some of these claims may be slightly over the top.
Lots of people have asked me for albums I think sound great – so, here are some that spring instantly to mind. I should say upfront, this isn’t intended to be some kind of “top 12 best sounding albums ever” list, just some from my own collection that I love the sound of, for whatever reason.
If you take a listen, you’ll probably notice some pretty clear recurring themes – suggestions in the comments, please ! I’ve included the Amazon affiliate widget above so you can hear the songs, but if you live in Europe this Spotify playlist will be even better since you can listen to complete songs.
.gif "Dynamic Range Foundation - Active Member")
