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Pink Floyd – ‘Dark Side Of The Moon’ in the recording studio

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Taken from the fantastic DVD “Classic Albums: The Making of The Dark Side of the Moon“, this clip has loads of great things for audio geeks like me to enjoy, including (probably) the first time a band ever played to a tape loop (and how the loop was made), another great example of double-tracking (this time on a guitar solo) and a superb illustration of how quite extreme-sounding delay and reverb (on Gilmour’s vocal) sound great in the context of the whole mix.

The DVD has been in the Production Advice Bookstore since I first set up the site, and is strongly recommended viewing for anyone interested in writing, recording and mixing.

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Imogen Heap – Ellipse | Streaming in full

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Ellipse” by Imogen Heap is released on 24th August – if you’re like me you can’t wait.

Well, you don’t have to – here is the full album, streaming on Soundcloud ! (At the bottom of this post.) And, you can pre-order the CD here.

Why have I posted this ? Firstly because it’s a superb album, secondly because Imogen is an outstanding musician, for whom production is clearly inseparable from the writing process itself. In fact, she’s a perfect example of “21st century DIY punk“. And, she is certainly making the utmost of the possibilities of social media and Web 2.0 for musicians. (More about that in my post Why Musicians Should Be On Twitter)

But if you still need more persuading, check out her v-blog channel on YouTube – 40 or so video diary entries about the entire writing, recording, mixing and production process of Ellipse. (Anyone who plays music on the lighting panels in her studio’s ceiling is cool by me!).

Anyhow that’s enough words, just listen to this:

 

The Hitchhiker’s Guide to Sound Engineering

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- or, How stereophonic sound changed my life

Hitchhikers GuideI remember it very clearly, although I don’t know exactly when it was. Probably 1980, since the first TV series was broadcast in 1981 – so I would have been nearly ten years old. I think it was at my Dad’s suggestion, but perhaps not.

For whatever reason, on that winter evening, I curled up in rapt attention on the sofa and listened for the very first time to The Hitchhiker’s Guide To The Galaxy on Radio 4. (Yes, it was a radio series first, before the LPs, books, TV and eventually film.)

It was the episode where The Heart Of Gold lands on the legendary planet of Magrathea, by way of improbability drive, imminent missile attack, sperm whale and a bowl of petunias, and I was transfixed.

Partly because for a nine-year-old, obsessed by a heady mix of Star Wars, Flash Gordon, Star Trek and The Goon Show, Hitchhikers was pure gold – but mostly because it was in stereo.

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What makes a great music producer tick ? Brian Eno Interviewed

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In this video Brian Eno talks about perfume, pornography and pissing in Duchamp’s urinal.

This, from a man who has produced (amongst others) Talking Heads, U2, Coldplay, Devo, David Byrne, Laurie Anderson and James – as well as being a prolific musician and artist in his own right, starting out as a member of Roxy Music in the early 70s, and inventing the genre label “Ambient” along the way.

I know what you’re thinking – another post about Brian Eno ? Already ?!? Change the tune already ! Tell us something useful !

Well, tough. I only just found this, and it’s fantastic, and I wanted to share it with you. I’ll post something technical about using EQ or compressors or something again soon, honest.

In the meantime, if you want some genuine insight into one of the greatest producers of all time, both as a producer and as a person, this is a great place to start. (The other place would be his 1995 book – A Year With Swollen Appendices: The Diary of Brian Eno, which I strongly recommend.)

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Brian Eno’s Oblique Strategies – the Ultimate Music Production Tool

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oblique

Forget computers and plugins, forget pop shields, forget the SwirlyGig, forget SSL desks and tantric breathing exercises – forget all that stuff, and open your mind to a real music production tool – the Oblique Strategies.

Oblique Strategies is a deck of cards, about 7×9 cm in size, supplied in a small black box labelled “OBLIQUE STRATEGIES”. The cards themselves are black on one side, white on the other, and have obscure, cryptic aphorisms printed on the front in small letters.

They are intended as a creative tool for musicians and were developed by legendary producer Brian Eno and artist Peter Schmidt - the pair originally both came up with the same idea independently in 1975, and joined forces to make it a reality. Eno’s own description explains the idea very well:

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