This is an enjoyable short film about the making of Amon Tobin’s excellent Foley Room – a great album which you may already know about. If not, I strongly recommend it.
I talk a lot about classic albums, recording live instruments and ¨real, natural sound¨ on Production Advice, mainly because in this time of virtual instruments and laptop recording studios I think it’s becoming something of a lost art that needs highlighting.
BUT I have always had a passion for electronic and dance music – Jean Michel Jarre’s ‘Oxygene’ was the second tape ever played in my Sanyo personal cassette player (I couldn’t afford a Walkman !) and it would be hard to overstate the importance of Orbital in my music collection – to pick just two examples.
(What was the first tape ever played in my Walkman ? It’s too embarrassing to reveal in public, but ask me on Twitter and I’ll DM you the answer :-p )
Welcome back my friends, to the show that never ends, We’re so glad you could attend, come inside, come inside…
I know, it’s been ages.
And, the way things are looking at the moment, it’s going to stay slow for a while longer yet…
So, stay tuned to the RSS feed for future updates, including a brief summary of all the goings-on of Dynamic Range Day – but in the meantime – enjoy this video about the recording and mixing of Queen’s ‘Bohemian Rhapsody’.
I was going to say “please enjoy this video”, but honestly, if there isn’t something to delight or amuse you in here, you’re reading the wrong blog.
Yes – another Brian Eno post ! But it’s completely worth it. This Arena documentary about possibly my favourite music producer is simply outstanding – partly because it contains plenty of Eno snippets for the enthusiast, but also because it’s beautifully made and put together – fascinating, intelligently chosen visuals and audio accompany the interviews throughout.
It’s also great for me to see Eno in his Suffolk habitat, because that’s where I grew up, too – and seeing the familiar serene, slightly surreal landscapes accompanied by his music and words somehow makes perfect sense in a way that hadn’t registered with me before.
I’m sorry things have been a little quiet so far this year – it’s because there’s all kinds of stuff going on behind the scenes that I’m really looking forward to telling you about… soon : )
Meanwhile, regular readers might like to check out my latest guest post on the RecordProduction.com site:
So, do you see what I’ve done here ? This video is:
About a classic piece of music
A little Christmassy (Although “Do They Know It’s Christmas Time” has to be one of the least Christmassy tunes ever)
About recording and production (At least, it includes some footage of people in SARM studios)
Thought-provoking (I think), and
Includes loads of footage of eighties pop stars with ridiculous haircuts !
I’m feeling quite smug
More seriously though, I was really pleased to find this. Band Aid and Live Aid had huge impact on me when I was growing up – I believe the idea of pop music being used selflessly for the good of others is an inspirational one, regardless of how effective they were at achieving their goals with hindsight. There are many people who are cynical about this kind of thing – I’m not one of them.
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