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Production Advice

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What are the best headphones for mixing ?

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This is a question I get asked a lot. But before I answer, the disclaimer:

Personally, I’m not happy mixing on headphones.

Of course I use them all the time, for an alternative perspective my monitors, and for listening in very fine detail for clicks, distortion etc. But for real judgements, speakers are the way to go. Headphones just don’t give me the visceral, physical feedback I want.

(So, don’t read this post, blow a couple of hundred quid on a pair of headphones, spend 6 months trying to mix on them and then come back blaming me for bad advice !)

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Personality In Audio – or, Why sounding great just isn’t enough

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This site is about making your music sound fantastic. And in my last post I listed twelve of my favourite outstanding albums for sound. Lots of people replied with their own suggestions in the comments – so far, so good.

I agreed with many of the suggestions, but was interested in one album that was mentioned several times: “Rage Against The Machine” by Rage Against The Machine. Now, there’s no question that RATM sounds great. Let’s face it, it’s something of a classic. It sounds heavy, hooky, dynamic, hard-hitting, impactful and balanced.

But I wouldn’t have chosen it for my list, and I still wouldn’t. Why ? Because just sounding great isn’t enough – to sound fantastic, the audio needs to have personality.

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Tim Exile – We are not worthy

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I tried to think of something clever and interesting to say about this performance, but all I could manage was

OMFG!!!!!!!!!!!!!!!!

Tim Exile is touring with Imogen Heap, and is clearly unspeakably talented. In case you were wondering, this is how he does it:

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David Vorhaus and The White Noise – Electronic music pioneers

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If this video doesn’t make you want to own your own analogue synthesiser, nothing will !

David Vorhaus will forever be part of my own musical history for creating the album “An Electric Storm” as part of legendary band The White Noise – along with Delia Derbyshire, of “Doctor Who Theme” fame. This mad, tuneful collage of tape loops, analogue synths and sound effects was released in 1969, and provides proof, if you needed it, that the Beatles weren’t nearly as cutting edge as they thought they were.

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Making ‘Smack My Bitch Up’ by The Prodigy

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Two “how-to” posts in a row ? Ah well… everyone is loving this on Twitter, so I thought I’d post it here. Enjoy !

(From the Production Advice Tumblr blog)

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