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Dynamic Range Day - Loudness War Protest

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How to master a song loud – and the price you pay (Video tutorial)

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The most popular post on my site right now is this one:

How to make your music loud

The video above is a “sequel” to that post, in a way, because it demonstrates many of the techniques I talk about in the original post.

(I’m not saying you should make your music really loud, by the way – far from it. But if that’s what you’re going to do, I’d prefer you to make a good job of it : )

The video was inspired by an email from Brendan Zacharias, a musician and producer who recently bought a copy of my eBook and video package Mastering with Multiband Compression.

(Multiband compression can be an invaluable tool for getting loud, punchy mixes without crushing the life out of your mix – to find out more, click here.)

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House concert magic

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I love live music.

I don’t go out and see live shows nearly as often as I should, in fact. [Note to self !]

And I really love hearing acoustic music live. I love enjoy loud, distorted guitars as much as the next man, but there’s something magical about hearing music in it’s simplest, most honest form.

The superb video above captures that, beautifully – and also explains in only a few minutes how the internet opens up a whole new world of possibilities for independent musicians to tour, build their audience and see the world, if they have the desire, determination and drive.

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Stop worrying and love the prog

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You’ve probably guessed by now, but I love prog.

Did I say that out loud ?

Well, it’s true – there doesn’t seem to be much point in denying it any more – after all, Radiohead are one of the biggest bands in the world, and they’re prog, right ?

So while it may not be exactly hip, I don’t think that enjoying progressive rock can be considered quite the crime against music that it once was.

And, being me, one thing I’ve always enjoyed about “progressive” music is that it almost always sounds superb.

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Why David Gilmour writes and records on a boat

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So we know that Peter Gabriel writes and records in a shed – how about David Gilmour ?

Well his studio is on a boat.

And what a boat… well, houseboat. Watch the video and see.

Once you’ve finished wiping the drool off your keyboard, you may be thinking –

“Well it’s pretty bloody obvious why he writes on a boat, Ian – and, if I’d sold 50 million copies of Dark Side Of The Moon, I think I’d record on one, too.”

But stop.

Rewind. Go back.

Listen again to what he says at 3’12″
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Kids today CAN hear great audio quality – and they prefer it: new evidence

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Download (PDF, 4.8MB)



If you’re a regular reader you’ll know I like to start the new year off with some good news.

Something you may not know though, is that I also like it when I’m right : )

And the PDF above hits the spot on both counts !

Almost 3 years ago now, I wrote a blog post called

Do the kids prefer “mp3 sizzle” ? Bullshizzle !

It was a response to a study by Professor John Berger of Stanford University which he claimed showed that young people today actually prefer the sound of mp3 to CD audio.

Now, you probably already know what I think of mp3:

Why mp3 sucks, and how to hear it

- so it probably won’t come as a surprise that I disagreed quite strongly with Prof. Berger ! You can read my full response on that link, but the reason for this post is to present some new evidence that I was right.

Just yesterday, Dr Sean Olive posted a comment on my old site with a link to research he has done on the same subject, which

(a) is fully documented (unlike Professer Berger’s work) and

(b) draws the exact opposite conclusion !

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Happy Christmas 2011 from Production Advice

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Just a very quick post to wish you a very Merry Christmas from Mastering Media !

We hope you’re able to take some time out over the next week or two, spend some time with family and loved-ones, and generally relax and be merry : )

Here are three of my favourite musical suggestions for this time of year – hopefully there’s something for anyone’s taste:

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